Tag Archives: Belmont University

Vanderbilt University Center for Digital Humanities Internship Final Reflection

My internship this summer with the Vanderbilt Center for Digital Humanities could not have been better. I had the opportunity to learn from Dr. Mickey Casad and other scholars and digital directors at Vanderbilt. They included Juliet Larkin-Gilmore, Dr. Angela Sutton, Dale Poulter, and Dr. Steven Wernke.  I also had the chance to meet and collaborate with scholars from other institutions such as Dr. Chad Berry (Berea College), Dr. Reavis Mitchell (Fisk University), Dr. Lea Williams (Tennessee State University), Dr. Van West (Middle TN State University), Dr. Molly Taylor-Polesky (Middle TN State University), and Dr. Carole Bucy (Volunteer State College). Finally, I had many meeting with community stakeholders related to the Nashville Sites Digital Project including Nashville Public Library, Metro Archives, TN State Library and Archives, Slave Societies Digital Archive (Vanderbilt), Fog Haus, Metro Historical Commission, Belmont University, Middle TN State University, Convention and Visitors Corp., Smithsonian Institute, Humanities Tennessee, and more.

All of that to say, it has been a joyful internship. My experience has  provided me with new digital skills (particularly after meeting with Dale Poulter last week about Fedora and Islandora), while also allowing me to flex my own (digital) muscles. Not only has Dr. Casad and the center supported my work with Nashville Sites, I will also have the chance to give back in two weeks–as I lead a workshop at the Vanderbilt DH Bootcamp. I will be teaching a session on Omeka to Vanderbilt faculty. In terms of Nashville Sites, I am happy to report that just yesterday, I passed off all metadata and tour narratives and maps for the first five tours. They are: Downtown School and Education, Food for Thought (restaurants either historic themselves or in historic buildings), Civic and Public Spaces, Architecture Highlights, and Nashville’s Seedy Side.

This summer I put much of the knowledge gained through George Mason University coursework into action. That is perhaps the best part. My coursework at GMU inspired my work with Nashville Sites, which in turn has allowed me to turn this class project into “a real thing,” and has also led to me learning many new things on my own and from others connected to the Vanderbilt Center for DH. I can’t thank Dr. Casad and Dr. Platt enough for their encouragement, guidance, and support.

A final word of thanks to George Mason for giving me the skills and experience to expand my professional portfolio. This past year, I led a Digital Humanities Initiative at Harpeth Hall, which resulted in my work with at least one teacher in every academic discipline (except math) to develop a digital project. My work in Digital Humanities also played a big role in my recent one-year appointment as Professor of Practice at Belmont University next year. Dr. Mimi Barnard’s vision and ingenuity made this appointment possible.  I will be teaching an intro to Digital Humanities course as well as work with students on Nashville Sites (also two additional courses). In sum, Belmont is hosting me as I teach and work on this project. Two years ago, I could not have imagined that this certificate program would lead to a new position.

Below, I will share part of one of the completed tours as a sample. I will not send metadata as it is still being edited, and the GIS is under construction. I look forward to sharing the actual site when it is launched (estimated date August 2019). There should be approximately twenty tours. Enjoy.

1. The Hermitage Hotel/Capitol Grille/Oak Bar

J. Edwin Carpenter’s 1910 Hermitage Hotel is designed in the Beaux Arts Style, and even if you choose not to eat here, a visit inside is worth your time. Along with the ornate lobby and restaurant, the Art Deco men’s restroom located near the Oak Bar is famous for its design. Ladies, you can check out the restroom as well, just ask the hotel staff.
    
In the months before Tennessee’s decision to ratify the Nineteenth Amendment (August 18, 1920), both proponents and opponents of woman’s suffrage established headquarters at the Hermitage Hotel. They chose the location for its proximity to the capitol building, where women could not hold office but could lobby for their causes. After a fierce political battle, Tennessee became the thirty sixth state to ratify the amendment, which met the 2/3rd state threshold needed, granting women the constitutional right to vote. Tennessee is still called the “Perfect 36” for its role in the ratification process.
 
The Capitol Grille, originally called the Grill Room, once served clear green turtle soup, Tennessee squab, celery, and salted almonds. While these dishes epitomized fine dining in the early twentieth century, they no longer exist regularly on the menu. Even though food tastes change over time, Capitol Grille has continued its long-standing tradition of using locally sourced ingredients when possible. The hotel owns Double H Farms that raises free range cattle and uses seasonal vegetables grown at historic Glen Leven Farm. If you don’t want a full meal, unwind in the Oak Bar, originally an exclusive men’s club. Today all can enjoy this space, which has served drinks and dinner for over a century. 
 
Move southeast on Sixth Ave. toward Church St, and turn LEFT onto Church St. Then, turn LEFT onto Fifth Ave N to reach 227 Fifth Ave. North. Woolworth on 5th is about halfway up the block. Along the way, you will pass buildings with historical, architectural, and artistic significance. On Sixth Ave. North, take note of the Herakut mural of the dog, created through the Nashville Walls Project. Church Street is full of important sites including the Nashville Public Library, 505 Nashville, and the Downtown Presbyterian Church, which you pass on your right as you walk toward Fifth Avenue. 
Additional Info: Hermitage Hotel Audio

2. Woolworth on 5th

In February 1960, a group of black students from Fisk University, Tennessee A&I (now Tennessee State University), and American Baptist College boldly sat down at the lunch counters of Woolworth’s, Kress, and McClellan—all department stores. This is how Nashville’s sit-in movement began. Implementing methods of non-violent protest, young Civil Rights leaders such as John Lewis, James Lawson, and Diane Nash began a historic journey to end racial segregation. In the face of violence, intimidation, and arrest—the determined spirit and perseverance of these and other students led Mayor Ben West to support desegregation. He did so, and the Nashville business community followed by integrating lunch counters, stores, and restaurants. By the summer of 1960, Nashville had desegregated all public facilitiesthe first southern city to do so.
After a major renovation, the Woolworth building reopened as a restaurant in early 2018. The venue hosts a “welcome table for all,” showcasing the Civil Rights movement in Nashville through historic photographs and visibly patched floors where the segregated lunch counters were removed. Visitors can enjoy live jazz, R&B, early rock, and more while dining.
Woolworth’s reflects the power of food to connect the past to the present and to provide a window into the complicated nature of southern culture and identity. You can likely think of popular foods associated with the American southeast: barbecue, fried chicken, or biscuits. These dishes represent points of contact between Native Americans, African Americans, and European Americans. These popular dishes reveal stories about women and men, many enslaved, who cooked for others and adapted foods during times of plenty and times of need. As you explore Woolworth on 5th, consider how its “welcome table for all” unites not only those who challenged Jim Crow with the present, but also celebrates the different races, classes, and cultures who made the cuisine we know and love today.
Turn LEFT outside of Woolworth on 5th; after walking about thirty yards, turn RIGHT at the Fifth Ave. North crosswalk to reach The Arcade located across the street. When you leave Woolworth’s you will see a historical marker describing the sit-ins. 
Audio about Civil Rights Movement sit-ins in Nashville, TN
  • Oral History Interview with Edward F. Jones, 2006 November 3, excerpt 17, is a three minute clip of Jones describing the sit-in movement in broad terms. He mentions student activism, and the negotiations between business owners and student activist leaders. 
  • Citation per NPL:                                                                                                             Edward F. Jones, Series 1, The Turner Interviews, Nashville Business Leaders Oral History Project, Special Collections Division, Nashville Public Library.

3. The Arcade (and Peanut Shop)

If you seek a variety of options and a quick meal, drink, or snack—Nashville’s Arcade, located across the street from Woolworth on 5th, is the place for you. For decades, Nashvillians saw Fifth Avenue as the most popular shopping area in the city. At its peak in the early twentieth century, department stores lined the street, and the Arcade was the center of it all. 
Running though the middle of the block between Fourth and Fifth Avenues, this space was originally a rose garden called Overton Alley. In 1903, Daniel C. Buntin funded the construction of a two-story indoor shopping venue designed by the architectural firm Thompson, Gibel and Asmus. Modeled after the famous Galleria Vittorio Emmanuele in Milan (Italy), the Arcade features a glass-gabled roof, reinforced with steel beams made in East Nashville. When the city celebrated the Arcade’s opening, approximately 40,000 people gathered for shopping, music, and mingling. Shop owners and businesses in Nashville’s Arcade have changed over time, and the second floor mezzanine currently boasts art galleries that participate in the free Downtown Nashville First Saturday Art Crawl. 
The street level promenade offers over twenty food stops with pizza, deli sandwiches, tacos, Chinese food, coffee, pastries, and more. The plethora of affordable options allows customers to find the perfect meal while taking in the architecture of this hidden gem. The oldest store in the building, The Peanut Shop, opened in 1927. Owned by Planters Peanuts until 1960, the store has run independently for over fifty years. Much of the decoration here is original, so make sure you look around if you stop in for a treat. 
After walking STRAIGHT through the Arcade, you arrive on Fourth Ave. North and see the Bobby Hotel directly across the street. Turn RIGHT and you will see a crosswalk which you will take to get to the other side of the street. The small road in front of you that separates the Bobby Hotel from the Southern Turf building is called Metro Alley. The Southern Turf building, the historic location of your next stop, is on your RIGHT. Take the alley to Skull’s Rainbow Room restaurant and bar, located in the back of the Southern Turf building. 

Vanderbilt Center for Digital Humanities Internship Update, June 2018

My summer internship with the Vanderbilt University of Digital Humanities has been very fruitful thus far. Working primarily with the center’s associate director, Dr. Mickey Casad, the internship promises to be beneficial in a variety of ways. First, the Center for DH is providing in-kind support for Nashville Sites — of which I am the project manager. This allows me to expand my digital skills while also working on a project already in progress that will continue beyond this semester. Dr. Casad and I have met twice to talk about this as well as other initiatives and projects connected to the center. These projects include Mappalacia, with Berea College, and Fedora, with Dale Poulter (VU Director of Library Technology and Digital Services). I will have more to report on these projects in my next post.

Most of May and June was spent working with a staff of four on the initial five tours for Nashville Sites. There are many challenges in building a digital infrastructure, content management system, navigation, and taxonomy. The first five tours are are located in a centralized area of downtown because we wanted to keep our geographical parameters tight as we worked through certain issues. They include: architectural highlights, seedy side (Nashville’s former red light district), food for thought (restaurants in historically significant buildings), and downtown schools/education. My assigned tour was downtown schools/education. Mapping out the tour, doing the research, collecting metadata for individual records, and writing a tour narrative took quite a bit of time. Also valuable to the process was physically walking and “testing out” the tour. I realized that many sites on other tours are visible on mine, and so we’re working with our web designers to determine how best to alert the user to these sites in order to provide the option of a customized or deviated tour. Here is my final tour, which includes the following stops:

1. Tennessee State University
2. Nashville Female Academy
3. Nashville School of Law/YMCA
4. Ward Seminary
5. Hume-Fogg School
6. Lipscomb University Downtown Spark Campus
7. Hatch Show Print
8. Taylor Swift Education Center
9. Walk of Fame (Local Alums and School Connections)
10. Seeing Eye (First Dog Training School for the Blind)

The tour is 2 miles long and takes approximately 75 minutes if walked without more than five minutes spent at each site. Other considerations included accessibility (sidewalks, ramps, lighting), balancing active sites versus historic markers only, and creating a subject/keyword/tag hierarchy. The subject list is still a work in progress, but we are basing it on the Omeka’s Simple Vocab plug-in. Specific methodologies and skills learned through GMU coursework have been key to working on this project: Omeka, copyright, Google Maps, using images, history based on place, creating personas, and even Slack. I look forward to the next few weeks as this and other work/projects through the VU Center for DH develop.

Final Project Ideas for HIST689

I have several ideas about the final project for this course but they are a bit “outside the box.” I understand that the goal is to create a student web-based project with learning opportunities and goals for students and stated desired outcomes.

Creating an individual project based on a topic or unit for a class I teach would be fine, but I’ve been recently named coordinator for a Digital Humanities initiative at Harpeth Hall School (my day job in addition to one adjunct class per semester at Belmont). One of my tasks for the summer is to work with two teacher groups to design  projects that incorporate DH methods and online tools. I am working with a 1) Latin teacher and 2) a larger group that includes all junior-level English and history teachers. Aside from my DH goals, I am also a junior-level AP US history teacher giving me a dual role in that group whereby I would be creating a project for a class I teach. Another goal for my DH coordinator summer work is to design a digital infrastructure where these and other projects can be hosted as part of a larger digital portfolio. The goal is to produce something along the lines of the LEADR lab at Michigan State University: http://leadr.msu.edu/projects/.

For this class I would love to work on these two separate but connected projects. I recognize that this would change the typical questions and important historical issues that the HIST689 project is designed to spark, but I am hoping that with Dr. Kelly’s approval I can find a way to approach the project requirements with a little creative license. There are still difficult questions and issues for students to make sense of– just not necessarily and solely tied to history or a course that I teach.  My goal would be more along the lines of Lévesque’s argument to move (or combine) substantive content with procedural content using practices, tools, skills and methods related to DH.

 

Teaching History Today

This module forced me to rethink the what, who, how, and why of my own teaching. I have never read any of the authors/historians given for this module (other than a little Wineburg), and I appreciated the holistic approach each provided while simultaneously offering a slightly different view on how best to teach history or rather how best to teach students to study history as a living, fluid, complex discipline. From reading about and reflecting on  “threshold concepts” to “decoding the discipline” to “uncoverage” it is more apparent to me than ever that teaching history has changed little over the past century. In my own research of educational trends during the Progressive Era: elective courses, practical majors (as opposed to purely philosophical or classical majors), extracurricular opportunities, and professors as experts are still core elements of teaching history and other mainstream subject areas. I have argued that a paradigmatic shift is long overdue and we are in the midst of just such a transition. Incidentally, it’s one reason that I joined the DH Certificate Program at GMU.

In teaching a course last fall in the Honors Program at Belmont University, we held an event featuring Dr. Joel Harrington, author of The Faithful Executioner (a book the class read) and department chair for the Vanderbilt’s History Department. Before he began he asked the fifty-five members of the Honors Program in attendance to introduce themselves and share their major. After they finished I had my own epiphany. There was not one history major, no English or Political Science majors, no foreign language majors, no economic majors, not even a single sociology or anthropology major. Instead the majors were all interdisciplinary, skills-based, or broadly categorized. Examples included: global leadership studies, nursing, publishing, music business, and sports science. I realized in this moment that I needed to reinvent my teaching and my discipline if I were to stay relevant (not to mention history as a subject). That includes both what I teach and how I teach. The readings and activities associated with this module only reinforce this conclusion, although there are three questions that will inform the way I actualize and implement my approach to teaching history today:

  1. How do I make history relevant to students?

I think the answer to this question starts with using current events, social media, and role play to generate empathy in an effort to “humanize history.”  I made one attempt to do so using Twitter and allowing students to choose a figure of study from the Early Modern European period (the course’s title and scope). It worked great and culminated in a “Meeting of the Minds” in-class debate where the students channeled their historical figure to debate current issues. It was also a great deal of fun.

2. How do I make teaching history interdisciplinary?

I also strive to do this but have fallen short of a true course redesign. My greatest success is allowing students to complete a capstone project that takes the heart of our topic (in this class “Making the Modern City”) and apply it to Nashville. You can see from the student projects that their topics were wide-ranging and truly interdisciplinary. Their shared capstones were/are part of my own final project for HIST680 with Dr. Robertson.

http://drpethel.com/nashville/exhibits/show/past–present–future–downtow

3. Why do I teach history, and should the method matter?

The first part is easy. I love it. The most consistent feedback I get on evaluations, going back 15 years, is that I am passionate about what I teach. In watching Caldor’s interview I realize that I already employ aspects of “Uncoverage.” But I have much to learn to help students “decode the discipline” and get past “threshold concepts.” I also need to move more toward experiential learning and away from the  text-driven/teacher-driven  model. The method does matter, i.e. digital learning and projects help with the first two questions. But also important, my passion for the subject matters too. Because I love history I need to dissect and reexamine my methods as I continue to teach.

Postscript:

Dr. Kelly’s article “The History Curriculum in 2023” was music to my ears and I agree wholeheartedly with his view of teaching history and of the state of our history curriculum as it stands now. As an addendum to this post I believe his article has pushed me further toward a total course redesign for undergraduate and 9-12 history courses. At the high school where I teach they unveiled and made a substantial financial investment into a maker space that they named “Design Den.” And while it is open to all classes, it is not geared toward history or the humanities. We need history “lab” spaces and we need to better investigate ways to use 3-D printers and the like in our curriculum. As historians we cannot simply remain vessels of knowledge or even master teachers, we must also figure out how to harness new technologies to engage students actively and as participants while not abandoning basic skills of research, writing, and critical thinking. It is and will remain a challenge but one we must accept if we hope to stay relevant in a drastically changing landscape in higher education, and more important, skills that translate into the professional world.

HIST689 Introduction

I am looking forward to taking HIST 689 with Dr. Kelly as the final online course for the post-graduate certificate in Digital Humanities through George Mason University.

In the first two courses I gained a real sense of the trends, direction, and scope of Digital Humanities. In addition to technical expertise, the courses also provided meaningful readings and activities. I hope that this class will further add to this new base of knowledge and skill.

Professionally, I juggle several different roles. I am a secondary school educator at the Harpeth Hall School where I also serve as the archivist. I also teach as an adjunct at Belmont University in the Honors program as well as the Global Leadership studies department. Most recently I taught an interdisciplinary class entitled “Making the Modern City.” In the last several years, I have also added author to my list of professional achievements. This fall will bear the fruit of two and a half years of research and work with the release of two books. Athens of the New South: College Life and Making Modern Nashville will be published by University of Tennessee Press and A Heartfelt Mission: A History of the West End Home Foundation published by Orange Frazer Press. Adding my GMU coursework on top of my day job and writing this past year was a challenge but well worth the time and effort. Next year I will add Digital Humanities Coordinator to my list of duties at Harpeth Hall, and I will be continuing the development of my project from Dr. Leon’s class in partnership with the Metropolitan Historical Commission. The project, Nashville Sites, will be modeled on the History of the National Mall project and will initially launch this fall with continued development (and funding, fingers crossed) in 2018.

I look forward to this course, and I hope to find a way to incorporate and tailor my work in HIST694 to further Nashville Sites as well as my work with teachers (as Digital Humanities Coordinator) at Harpeth Hall.

User Research Findings

Nashville Skyline, 2009. Image courtesy of Wikimedia Commons and in the Public Domain.

This timing of this module was serendipitous. I have a great-aunt and great-uncle (Jean and Ben) who are in town for the next two days, and I was able to interview them tonight at dinner. They did not come to Nashville to visit me, but rather asked me to dinner because they were here. This perhaps made the small talk easier, but I was surprised by some of their answers. Ironically I learned quite a bit about both of them during the process of the interview as the subject and purpose of the questions were unrelated to family. I have lived in Nashville for several years, but I had no idea that they attended college at Belmont University (then Belmont College) in the 1960s. They said they have always loved Nashville and feel connected to Belmont, but the reason they come to visit is based on the music and cultural scene of the city. They like country music, but are not part of the “honky tonk crowd” per their description. They are both retired teachers who grew up and have lived most of their lives in northeast Georgia. Ben and Jean love to come to Nashville every 1-2 years as a “getaway” and prefer it to Atlanta because of the downtown district, museums, good restaurants, and its walkability. Their plans included a Valentine’s Day concert featuring Frankie Valli and the Nashville Symphony, which plays in the amazing, yet often overlooked, Schermerhorn Symphony Hall located in the heart of downtown.

My great-aunt and great-uncle both like history, and particularly southern history, but their knowledge of Nashville history is fairly basic. For example, they knew Andrew Jackson lived in Nashville and that Fisk University played a role in the Civil Rights movement, but did not know that James Polk was from Tennessee or that Nashville was largely occupied by Union forces during the Civil War. Jean and Ben love music of all genres and are nostalgic about blue grass and the Grand Ole Opry in particular. They thought that my project sounded great and both would be interested in using it as a walking-tour guide of important historical sites. Even though they are staying in a hotel downtown and have walked around the downtown area, they described it as “wandering around” with no real sense of purpose or geographical pattern. Their question for me, and one that I did not include in my original interview, is important if this project is to succeed. They asked, “How would we find out about this website and project?” This is something that I am going to have to consider. One option is involving the Chamber of Commerce and local hotels. Another option, which I have discussed with the Metropolitan Historical Commission (which manages the historical markers) is to add some kind of brief leader line, info, the web address to the physical historical markers themselves. This could perhaps be added to the back of the markers but would require MHC and Metro Council approval since it is public, tax-funded property.

The second potential-user interview was completed retrospectively. A friend of mine recently hosted a couple who traveled to Nashville from Vermont for vacation. My friend asked if they would mind being interviewed and they agreed. I called and interviewed John and Pat Buttrick this week, following their recent visit. They were drawn to Nashville because they have never visited and, in their words, “kept hearing about how great it was.” Both of them are middle-aged working class Caucasians who save up and take a one-week vacation each year. The Buttricks knew very little about Nashville’s history other than the fact that there were Civil War sites. They were drawn primarily to “see the sights” and visited the Johnny Cash Museum, Ryman Auditorium, spent time in records shops and honky tonk bars. They reminded me that “Yankees like country music too.” I asked if they saw any of the historical markers downtown and they said they read several as they walked around downtown. Pat commented that they took a picture with one entitled “Birthplace of Bluegrass” that is positioned in front of Ryman Auditorium. They also visited the Hermitage (approximately 15 minutes from downtown) and rented a car to visit Mammoth Caves, a vast system of underground caverns that is approximately an hour from Nashville. They said that they chose not to do a trolley tour because it was too expensive and took too much time, but a project such as mine would be very appealing to them.  When I asked what would make nashvillesites.org useful for tourists, they said, “It would be great if you added good restaurants near each location and the prices/hours of museums.” Both John and Pat noted that they also came to Nashville for the food, and in particular, “barbeque.” While this may be beyond my scope and purpose – particularly for a project sponsored by local government, I could perhaps provide links that already exist for food, museums, etc.

I learned several things from both my initial interview protocol as well as potential user interviews. My research has validated the need and usefulness of nashvillesites.org as an engaging tool for visitors, whether they are in Nashville for the first time or are frequent guests with a prior connection. I found that many of my original interview questions were not very effective because they assume, to an extent, that the average visitor to Nashville knows little about the subjects of my questions. Prior historical knowledge about Nashville, and the context of Nashville’s history when compared to other southern cities and U.S. urban areas is minimal and largely generalized. From my research and interviews I was able to determine what people are interested in knowing about Nashville. Albeit with my prompts, all those interviewed were curious about Nashville’s role in, for example, the Civil War or Civil Rights movement once I gave them basic bullet points. Another subject of great interest is music, and so the historical markers related to historic events or sites of music history will be important to the project’s success.

The interviews also provided me with new challenges. For example, how can I design the project so that people can and will use it? How can I market it so that visitors or residents know that it exists? Can I make it educational and engaging in a way that complements the physical historical markers? And finally, how do I navigate an independent project within the constraints of local government rules and regulations?

Digital Public History Introduction

Hello HIST694! I am excited for this course and post this entry as an introduction. Interestingly, I was recently asked to update my biography for Belmont University, where I serve as an adjunct professor. Here is an excerpt that provides some background information about my professional work and interests.

___________________________________________________________________________

Author, scholar, and educator Mary Ellen Pethel received her BA from the University of Tennessee, MEd from Berry College, and PhD from George State University. A lifelong learner, Dr. Pethel is completing a post-graduate certificate in Digital Humanities through George Mason University. At Belmont University she teaches in the Honors Program as well as Global Leadership Studies including interdisciplinary courses such as “The Age of Exploration,” “Making the Modern American City,” “Global Cities and Urban Spaces,” and “Introduction to Global Leadership.”

In addition, she is a teaching faculty member and the school archivist at the Harpeth Hall School, which celebrates a shared history with Belmont University from 1913 to 1951 as Ward-Belmont. This shared history was part of a recent book, Girls Education from Ward Seminary to Harpeth Hall, 1865 to 2015. Dr. Pethel’s newest book expands on the scope and sequence of higher education and the role of higher education in urban development. Athens of the New South: College Life and the Making of Modern Nashville, published in 2017 by the University of Tennessee Press.

___________________________________________________________________________

Digital Humanities is a still a relatively new field, not available when I was completing my PhD coursework, but the DH have always been of interest to me. It is for this reason that I remain grateful for the post-grad opportunity to gain meaningful training and experience through GMU and the RRCHNM. Meanwhile, my interest in Public History has long played a role in my educational and professional career. My goal for this semester is simple: to continue the work and experiential learning that began with HIST680. Let the work begin.

Final Project and Feedback

My project webpage can be accessed from this page (tab top right labeled “Nashville”) or directly via: http://drpethel.com/nashville/

My project goal encompasses a practical and educational aim using digital tools. I am creating a course portfolio with a thematic focus of “Making Modern Nashville.” I have taught a special topics upper-level course for Belmont University for the past two years entitled: Making the Modern City. In the course we trace urban history and development and place it within the larger economic and cultural context of American history. The last part of the semester students examined Nashville as an urban case study and produced a culminating work based on original research, primary, and secondary sources. My project seeks to build a Omeka collection and exhibit based on their research. I chose this focus because I wanted to apply tools and methods associated with digital humanities with courses I currently teach. Further, I wanted to create something that could be beneficial to multiple audiences while also showcasing student research that deserves digital and more public platform.

I chose to use Omeka because it fits the purpose of my digital and educational goals because I can create collections, exhibits, and special features that will allow me to add, layer, and reorganize from one semester to the next. In other words, there is no finished product but rather an ongoing project that can continue to grow to showcase digital-born student research and work that is valuable to scholars, the university, and the local community.

Before this course I had Omeka account and had established a site, but it was really for experimental purposes. I have since migrated any information and data from the original site to my drpethel.com domain. Some of the formatting changed a bit with the migration, so it took some time to clean up, delete duplicates, upload new sources, and create metadata. I also had to determine the best possible way to set up collections and exhibits that were easy to navigate and engaging for the user. I discovered that aside from the overarching theme, “Making Modern Nashville” there were more connective sub-themes among the different projects than I had originally realized. This made my work both easier and harder as I wanted to feature all projects connected to my “Past, Present, and Future: Downtown Nashville” exhibit, but I didn’t want to create an exhibit that completely overshadowed other items and other collections. I also had to do quite a bit of editing to make sure I used common language via Dublin Core and also with tagging.

The feedback I received was helpful–particularly to read that both reviewers thought the idea and sources interesting and potentially useful as a student showcase but also a source of scholarly work that could help someone researching a similar topic in another city or Nashville itself.  Elaine mentioned the potential of this project to go beyond the university to involve crowdsourcing. While I think this is a very noble goal, I would need additional support or funding to be able to commit that kind of time to promote, build, and manage such a project. Even beyond this class I plan to continue to hone this site–adding more features, sources, and descriptive information in order to show its value as an academic and cultural home for special topics related to the metro Nashville area.