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Stop the Presses: Final Project Redirect and Elevator Pitch

I would still love to develop a project based on the Slave Trade and primary sources; however, the plan has evolved significantly since my last update. In fact, it changed so much that I’ve redesigned entirely. In part, this is because I’ve had two important meetings this week with teachers with whom I am collaborating. Although the project has gone in a different direction, it is perhaps even better and certainly more tightly focused. The new topic, title, and digital project page?

Power of Persuasion: The Language and Legacy of Elizabeth I

Below find a description of the project’s different digital components. It’s a great mix of sources, learning styles, assessments, I believe it also fosters interdisciplinary learning and “uncoverage” as Dr. Calder would say. There is still much to be figured and fleshed out, but I think the foundation and framework is solid, and I feel more grounded as well. Project components will be completed throughout the year, one per quarter. I will enter and upload primary sources with Dublin Core data, instructions, and other miscellaneous items by the end of this summer term.

Short Description

This project seeks to explore primary sources related to Elizabeth I. The types of sources are divided into three spheres that consider audience, scope, purpose, and meaning.

Private (letters)
Public  (speeches)
Image  (portraits/photography)

Projects/Activities

1.  Transcription: Read primary sources and transcribe. Then, compare student transcription to published transcription. Harkness discussion on process and discrepancies. Student write blog reflection, which will form the basis of an Omeka collection and/or exhibit.

2.  Rhetorical analysis: Read letters/speeches and analyze the use of logos/ethos/pathos, and the Ciceronian order of arguments. The final product will be an essay, which will form the basis of an Omeka collection and exhibit. Student will input Dublin Core data for proper citation and scholarship.

3.  Image analysis: Make a podcast of a detailed “text” analysis of a painting of Elizabeth. Four portraits, students make podcasts in groups of four, each group discusses a different portrait. Podcasts will be represented as a collection and exhibit in Omeka.

4.  Modern Female Politician: Pick a 20th or 21st century woman in politics and read a private source, a public source, and analyze an image. Present findings of analysis via oral presentation with Google Slides. Presentation files will form the basis of an exhibit in Omeka.

Primary Sources

Private (letters):

Public (Speeches):

Image (portraits): Below find links four portraits completed during Elizabeth I’s life. At the bottom of the page you can navigate between three pages of portraits.

  • Pelican portrait
  • Ermine Portrait
  • Armada Portrait
  • Rainbow Portrait

My audience will still be high school students, as stated earlier — but the A.P. Language will tie in with more World History courses rather than U.S. history. However, there is still a U.S. component as part of the final assignment.

I’ve started an Omeka site with one small problem. I love the theme, but when I started adding items — a large “hero image” appeared on the homepage and I see no option to disable it. It throws off the formatting of the rest of the page. Perhaps Dr. Kelly can help, and I’ve also emailed Omeka.

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Project Progress 3/16-3/22

I had two very productive meetings this week related to my Nashville Sites project. The first was with Tim Walker and Jessica Reeves who both work for the Metro Historical Commission (MHC) in Nashville.  The MHC is the local government agency here in Nashville who is partnering and sponsoring the project. We were joined in the meeting by Nicholas Lorenson who is one of the lead administrators for Code Nashville. We discussed the project goals, looked at several examples, and discussed strategy, audience, site layout, function, and deadlines. As part of our discussions we explored several options. One option is to move away from Omeka and to use WordPress instead. I was concerned (as were Tim and Jessica) about the ability to use Dublin Core so that the project can maintain its scholarship and metadata components. Nicholas discovered that there is a Dublin Core plug-in for WordPress. I am not sure of the final outcome, and this week Mr. Lorenson is going to “look under the hood” at the project as it exists currently in Omeka and make recommendations about next steps. One reason to move from Omeka to WordPress is that it is much easier to find and receive technical support from Code Nashville (or other tech subcontractors). Omeka is far less common outside of the public history or digital humanities world. It might also be easier to maintain if long term control falls to the MHC.  We agreed to meet again in the next two weeks.

The second meeting was with the marketing committee for the Metro Historical Commission Foundation (MHCF). The MHCF is a 501(c)(3) that raises money and awareness for MHC projects that need funding/support beyond the appropriated MHC budget, which is based on taxpayer dollars. I presented my project to the committee, it was approved and I was encouraged to write up a short grant proposal for funding. I was also asked to present the project at the next MHCF meeting on 4/14.

So while it was a productive week, I don’t yet have much to show for it and the project site itself is largely as it was last week. This week I hope to shore up some of the inconsistencies of my Dublin Core records and further develop the exhibit. I have decided one thing for sure: I plan to stick with Omeka for my class project. While I think this project will eventually migrate to WordPress, I will continue to work within the Berlin default theme. It will not look as good, but the content is what matters for this course, and that is my top priority in the short term.

 

 

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